INFORMATION ABOUT THE COOKIES USED
We inform you that in the course of browsing the websites of the Ibercaja Group, our own and third-party cookies are used (anonymous data files), which are stored in the user’s device non-instrusively. These data are used exclusively to enable and anonymously study some interactions during your time browsing a website and collect data that may be updated and retrieved. If you continue to browse our website, this implies your acceptance of the use of the cookies indicated. You can get more information or find out how to change your settings in our Cookies Policy section.


Facebook
Twitter
Google+

House of Infanzón Jerónimo Cósida

House of Infanzón Jerónimo Cósida

Technical details

  • Author Juan de Lanuza
  • Title House of Infanzón Jerónimo Cósida
  • Timeline 1535
  • Technique Architecture

Description

The house belonged to the low-ranking nobleman Jerónimo de Cosida and his wife Violante de Albión, representatives of two families of certain status in Zaragoza. Its construction began in 1535 and continued throughout the year under the Morisco master builder, Juan Lanuza. The building provides a good example of the progress of Renaissance influences on housing in Zaragoza at that time.

The inner courtyard has a square shape and features four columns with banding on the upper part, crowned with beautiful Corinthian capitals. The upper gallery, with simple Tuscan columns and rounded arches, retains its decoration of grotesques and plaster medallions on the parapets. These frame images of ancient design that contain an allegorical message alluding to the family's lineage.  In this case, this lineage was blessed by a favourable birth (represented by Atia Balba Caesonia, mother of Emperor Augustus), in contrast with another lineage which was banefully marked by an unfavourable birth (represented by the mother of Marcus Agrippa).

The key to this interpretation is found in the brooch worn on the dress of the woman in the medallion on the parapet of the north side of the courtyard: a child with his feet first. This detail characterises this figure as the mother of Agrippa: a name given to someone born feet first; a breech birth was considered unnatural, and one that would bring the child and its descendants a life of torment.

The other female figure is seen in the image on the south side of the courtyard. The ornaments she wears are the key to identifying her son, who is on the west side. She wears an angel-like figure as a brooch, most likely Cupid. Her hair is adorned with a medallion showing a rampant lion, the symbol of Zaragoza since the Middle Ages. This medallion is a reference to the founder of the ancient Caesar Augusta, the Emperor Augustus. The male figure in the medallion on the west side of the courtyard is therefore Augustus.