INFORMATION ABOUT THE COOKIES USED
We inform you that in the course of browsing the websites of the Ibercaja Group, our own and third-party cookies are used (anonymous data files), which are stored in the user’s device non-instrusively. These data are used exclusively to enable and anonymously study some interactions during your time browsing a website and collect data that may be updated and retrieved. If you continue to browse our website, this implies your acceptance of the use of the cookies indicated. You can get more information or find out how to change your settings in our Cookies Policy section.


Facebook
Twitter
Google+

Portrait of Félix de Azara

Portrait of Félix de Azara

Technical details

  • Author Francisco de Goya y Lucientes
  • Title Portrait of Félix de Azara
  • Timeline 1805
  • Technique Oil on canvas

Description

This military officer and outstanding naturalist (1742-1821) is depicted in one of Goya's best portraits on account of its masterful execution and spectacular colouring. The army engineer, brother to the diplomat and intellectual José Nicolás de Azara, spent 21 years in the region that is today Uruguay and Paraguay and made the first study of the flora and fauna of that part of South America, which then was part of the Spanish Empire. His scientific works, developed using the empirical method, would be published in the early 19th century in Madrid and Paris. They corrected the classifications made by Buffon and his observations were made fifty years earlier than those that led Darwin to formulate his theory on the origin of the species.

Goya painted this portrait in 1805, when Azara was a brigadier in the Spanish navy and member of the Council for the Fortification and Defence of the Indies. Goya placed Azara in a study, with shelves in the background full of colourful birds and stuffed four-footed animals, and his technique was one of wide and loose brushstrokes. Azara's face is splendidly shaped, and he is dressed in a brigadier's uniform, with a black dress coat and striking yellow breeches. His right hand holds a note with the subject's name, Goya's signature and the date, 1805. His bicorne is seen on the desk, together with three books as a reference to his publications and scientific studies.

Location in the museum

You may find this artwork on  Floor 2 Goya Hall

Multimedia